“For me, dance isn’t about perfection.
It’s about expressing what I feel deep inside in such a way
that the audience can experience those feelings along with me.
What means the most to me is not when someone tells me my leaps or turns were amazing.
What means the most to me is when someone tells me that I made them feel something.
A great dancer might be able to amaze the audience with ten pirouettes or 64 fouettes,
but an extraordinary artist can make a person feel something with the simplest tendu.
That is what I strive to be…
someone who will make you feel something…
someone who can make you believe the story I am sharing…
someone who feels deep emotion and lives the story with every movement and moment myself.
I desire to be more than just a great dancer… I am an artist.”
Emerson’s love of performing began at age 11 when she was chosen to perform the lead role of Clara in The Nutcracker with the Minnesota Ballet Company. Having tried her first ballet class at age four, she began serious study of classical ballet by age eight. Throughout the years she added additional training in Contemporary and Neoclassical Ballet, Pas De Deux, Modern, Jazz, Ballroom & Latin, acting, and various other dance styles. She began choreographing at age nine, which led to her beginning her dance ministry at age fourteen. After graduating high school at age 16, she trained and performed with the Storling Dance Theater professional company. When Emerson was 17, she grew her dance ministry into a professional classical and contemporary ballet company, Anazao Dance Company. At age 19, she was honored to become an instructor for the Missouri Contemporary Ballet professional company.
Emerson has been a company member with VidaDance Company, East Coast Ballet Company, Anazao Dance Company, and Infinity Company, and has also performed as a soloist and/or ensemble dancer with The Moscow Ballet, The Culture House, Lexington Ballet Youth Company, Kansas City Ballet Company School, Mid-Missouri Dance Theater and others.
Emerson has performed in over 50 individual pieces and 30 shows, as well as create her own original choreography. Her Sherlock Holmes-inspired ensemble group piece, Discombobulate, was selected to be the featured student choreography in the Indiana University Ballet Intensive showcase, and many of her other pieces have been featured in multiple productions including Reflections In A Puddle Art Series, Storling Dance Theater’s“DANCE“ concert, Southland Christian Church – KY, Steps Dance Studio, an Easter Passion Play, charity events, and Project Dance.
A few of the places she has studied include Kansas City Ballet, Kansas School of Classical Ballet, Lexington Ballet, BalletMet, and Indiana University, and she has worked with many respected instructors and choreographers throughout the years, including world-renowned dancer/choreographer and Indiana University’s Chair of Dance Michael Vernon; Bill Hotaling, founder of Manhattan Dance Project; Juan Trujillo and Stefani Schrimpf of Kansas City Ballet; Luis and Nancy Dominguez of Lexington Ballet Company and Dance Theatre of Harlem; Jennifer Owen of Owen-Cox Dance; and Mona Storling-Enna and Tobin James of Storling Dance Theater.